Empress of - Us

Bandcamp Daily

On “Us,” Empress Of comes into her own as a singer, producer, and storyteller.

Tue Oct 23 15:52:18 CEST 2018

80

The Guardian

XL/Terrible

Singer-producer Lorely Rodriguez made a splash with 2015’s Me, an album of quirky, minimal, deconstructed anthems about idealism, loneliness and empowerment. Three years on, she’s relocated from Brooklyn to her native Los Angeles, but the big change in the follow-up is in the title. In what can seem dehumanising times, Us reaffirms the values of community, humanity, love and personal connection. Opener Everything to Me captures the wonderment of friendship (with Blood Orange’s Dev Hynes, who guests here) with vivid imagery: “I’d rather be sitting next to you, drinking beer out of the bag, watching cars and yellow cabs.” The slightly reggae lilting Just the Same is playfully sexual – “I want you on top of me like a paperweight” – and she’s comfortable enough in her own relationships to josh about “giving you a hard time – is that OK?”

The blue-eyed effervescence of many of the lyrics is given the perfect backdrop by the music: minimal but laden with keyboard stabs, dizzying glockenspiel hooks and a playful pop sensibility that places her somewhere between FKA twigs and early Madonna. Timberlands finds her rhyming “irreverent” with “elephant”. There are darker moments. I Don’t Even Smoke Weed addresses anxiety. I’ve Got Love was written for a suicidal friend and the vulnerable, partly-Spanish-sung Trust Me Baby finds the Honduran-descended singer pleading, “All I’ve done is love you endlessly.” However, nothing ever disturbs the giddy, uplifting atmosphere of songs that are as euphoric as they are charming.

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Fri Oct 19 11:00:19 CEST 2018

63

Pitchfork

Where Lorely Rodriguez’s debut album brought a refreshing dose of weirdness to the crowded field of alt-pop R&B, her follow-up is more of an anodyne amalgam of 2018’s pop trends.

Mon Oct 22 07:00:00 CEST 2018