Cult of Luna - A Dawn to Fear
Angry Metal Guy
This summer saw a couple of top-notch releases from instrumental post-metal vets Russian Circles and Pelican. Both albums were worthy entries in the genre, but we should consider them appetizers, or warm-up acts, because one of the heavy hitters just walked in, and they have something to say. A Dawn to Fear is Cult of Luna’s seventh album, and it’s eighty minutes of dense bludgeoning sprinkled with but brief moments of respite. After a rather prolific start to their career, with five albums within a seven year span, the band has slowed down. This is their first full-length since 2013’s superb Vertikal – not counting the excellent Mariner, a 2016 collaboration with Julie Christmas. That album made it all the way to #3 in my 2016 Top Ten-ish1. So my expectations are pretty high here.
“Towering” is the word that comes to mind when lead track “The Silent Man” gets moving. It features a churning, grating, yet at the same time subtle riff – a motif that’s on display throughout A Dawn to Fear. Growling bass and an inexorable drum line underpin the guitars, while organ blasts also come and go when Johannes Persson’s hoarse hardcore vocals aren’t shredding the mic. There are foreboding moments within this ten-plus minute song, adding emotion and giving “The Silent Man” a sense of explosiveness that is the perfect introduction to the album. Is 10:37 too long for an opening track? If you think so, you better leave the Hall; there are four longer songs here, so if you want to hang with Cult of Luna you better be patient, and have some Ibuprofen handy for the pummeling your head is going to take.
A Dawn to Fear is arguably Cult of Luna’s heaviest album to date – certainly heavier than Mariner, and perhaps also Vertikal in that the sound is very viscous and elemental. Kristian Karlsson replaced Anders Teglund on keys after Vertikal, and his work here is primarily on organs rather than electronics, which brings welcome depth. His touches on “Lay Your Head to Rest” and “We Feel the End” add a real sense of unease to the songs. The former features a monolithic riff and complex drumming as Persson sears our eardrums, while the latter slows things down and adds in a touch of Pink Floyd to offset the brutality. Closing tracks “Inland Rain” and “The Fall” are monstrous, each with hints of Neurosis permeating the arrangements. The title track is a study in somber, melancholic doom with a sprinkling of sludge for old time’s sake, while the aura given off by “Nightwalkers” is exactly as the title would imply.
Eighty minutes is a lot to digest of any kind of music, and in fact makes A Dawn to Fear unwieldy when it comes to CDs and LPs. There are no bad songs here, but if Cult of Luna had to cut or shorten one to make this thing fit on physical media better, it would be the longest song, the 15-minute “Lights on the Hill.” The first four minutes are doom-slow clean guitars, and the rest could have been further reduced as well. This is by no means a bad song, though, and like all the others it sounds amazing. Every instrument is in its place on the soundstage, with nothing taking any range away from a counterpart. The bottom end is insanely thick and the organs either serve as a cushion for the guitars, or cut through them when their time comes.
Cult of Luna have evolved into post-metal titans in their own right, long ago escaping the shadow of their American counterparts, Neurosis. Both bands bring the heavy, but Cult of Luna have upped the ante here on A Dawn to Fear. Every song packs a wallop, and each stands on its own with stellar arrangements, leaving us completely wrung out. Persson’s harsh vocals are devastating, and while my olde ears might prefer more cleans (a big reason I loved Mariner), I can more than willingly get behind this album. The heavy hitters of post-metal have entered the Hall, and I don’t think they want to leave.
Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Metal Blade
Websites: cultofluna.bandcamp.com | cultofluna.com | facebook.com/cultoflunamusic
Releases Worldwide: September 20th, 2019
The post Cult of Luna – A Dawn to Fear Review appeared first on Angry Metal Guy.
Tue Sep 17 14:38:36 GMT 2019The Quietus
Cult of Luna's return treads a lot of ground, not all of it new. Nonetheless, seventy-nine minutes of new material is a mammoth offering for their re-surfacing. And whilst there's not a great deal that's dramatically changed, their latest has a huge amount of available space, which they use to play to their strengths, taking complex ideas and exploring them in full.
How does this stack up to Mariner? 2015's Julie Christmas collaboration was a career high, adding a sharp snap to a band whose weight was tempered by their dense, blunt textures. A Dawn to Fear takes a different shape; the record is slower, moodier, and less savage. Wherever it's tempting to lament the missing howl of Christmas, dropping the sturm-und-drang edge leaves space for them to be more reflective, darker, icier.
The first of two main takeaways: they use the space to play to one of their particular strengths, taking ideas and stretching them, working through hypnotic riffs, exploring every variation until the riff is completely bled dry. It's a sensible way of using more time, and means the record isn't totally overwhelming. And besides, the riffs are fun; this is an enjoyable, driving metal record even when they just reflect on their repetitive, labyrinthine passages.
The second is how classy this record feels. Luna have always been a stalwart band but here they sound particularly detached and moody. Part of this is the gloomy, bass-heavy production, and part of this is their willingness to dial the energy back. Mostly, though, is just how well everything hangs together; the deceptively ideas-light approach means that everything is worked out meticulously, all with a sweeping synth undercurrent.
For a record that focuses more on shape and mood than re-structuring the whole of the genre they helped to define, there are some notable leftfield moments. The slow burn of ‘The Silent Man’ gives them space to lay down some beautifully emotive guitar passages. The percussion is always driving and busy, but the almost dance-y rhythms on ‘Nightwalkers’ gives the track a sudden, unexpected burst of energy in its latter phase. And closer ‘The Fall’ features a riff that wails, siren-like, over a steady thump of drums. These distinctive moments add cohesion to the record.
Cult of Luna have left well alone the things which made their previous release special. In doing so, their new effort presents them as refreshed, distinguished and mature.
Share this article:
Sun Sep 29 16:05:01 GMT 2019