The Guardian
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Paul Lewis delights in Beethoven’s bagatelles. Plus, a reconfigured Media vita and sacred music from Armenia
• Suffering from Beethoven anniversary fatigue? The British pianist Paul Lewis has the ideal tonic. His album Für Elise: Bagatelles, Opp 33, 119 & 126 (Harmonia Mundi) brings together the three sets of bagatelles, written across Beethoven’s career. These punchy, gleaming miniatures, hardly unknown – some are popular with amateur players – tend to be overshadowed by the towering piano sonatas, in themselves a lifetime’s listening (as Lewis’s own account has shown).
Beethoven referred to the bagatelles as “trifles”, defining their one-movement structure, rather than their musical insignificance: aural sonnets, though without the strict form that comparison might suggest. Each is a model of compression, one lasting a matter of seconds, others barely half a minute. Combining expressive variety and technical ease, Lewis delights in the wit too. Even Für Elise, beaten to death by every would-be and would-not-be learner, becomes tolerable in his hands.
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Sat Aug 01 11:00:41 GMT 2020