Classical home listening - Mozart, Brahms and to the movies…

The Guardian 0

Francesco Piemontesi, the SCO and Andrew Manze are a perfect fit; Brahms from Vienna; and Max Richter and fellow screen composers compare notes

• Mozart, prominent in Vienna in the early 1780s as pianist, composer and teacher, was busy raising funds through subscription concerts, his own performances the star attraction. His father Leopold came to visit but grumbled that he felt neglected by the pace of life: “If only the concerts were over! It is impossible for me to describe the rush and bustle.” His son’s fortepiano was moved through the streets after him, from house to theatre, as required.

One concerto from that period, the sparklingly conversational K459 in F, and the later, majestic K595 in B flat feature on Mozart Piano Concertos Nos 19 & 27, Rondo K386 (Linn), with soloist Francesco Piemontesi and the Scottish Chamber Orchestra conducted by Andrew Manze. Lithe and spirited, the SCO players make excellent companions for their Swiss soloist, a performer in total, joyful command of his material: scrupulous in detail, imaginative – but not to excess – in ornament and cadenza. Manze brings his period instrument expertise to proceedings, giving fresh insight to this beloved repertoire.