The Guardian
80
(Self-released)
The gender-fluid experimentalist crams in styles and guests on this thought-provoking second album
Over the last few years pop songs have shortened, curtailed by the whims of streaming services and algorithms. It’s a trend that gender-fluid alt-pop experimentalist Dorian Electra clearly revels in, with most of the songs on My Agenda – the frenetic follow-up to last year’s decadent, gloriously OTT debut, Flamboyant – clocking in around the two-minute mark. As on their debut, however, Electra uses the time wisely, cramming myriad guests (the Horrors’ Faris Badwan, Friday hitmaker Rebecca Black, the Village People, plus many many others) into songs that veer between punk, hardcore and pummelling electro-pop.
As with Flamboyant, Electra digs into notions of masculinity and queerness, but this time they uncover murkier territory. Aggressive opener F the World skews the loneliness of “incels”, while Ram It Down fuses lyrics about latent homophobia with twisted, steroid-injected happy hardcore. Even the pure pop high of the PC Music-esque Barbie Boy is rooted in ideas around physical perfection.
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Sun Oct 18 14:00:52 GMT 2020