The Guardian
0
(Foxfive)
The Brighton quartet’s second album is a self-possessed return full of cinematic tracks with a dark, biting edge
“I feel like there aren’t any bands any more” moaned Maroon 5’s Adam Levine recently. He was highlighting the fact that record companies take less risks developing groups now, because solo artists are more economical. Black Honey are an obvious exception. The Brighton quartet grazed the Top 40 with their eponymous debut and have been given another shot. If their first album pitched them as an electro-pop Blondie making their own David Lynch soundtrack, this album remodels them as a sort of industrial pop cyberpunk, descendants of Garbage or the rougher end of the Cardigans’ Gran Turismo.
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Fri Mar 19 08:30:02 GMT 2021