The Guardian
0
Kanneh-Mason’s second album is a delight; Davies and Fretwork excel in early baroque German music; and the pick of Proms week one
• With its brilliant fugue finale, Samuel Barber’s heavyweight yet economical Piano Sonata in E flat, Op 26 provides a strong backbone to Summertime (Decca), Isata Kanneh-Mason’s second solo album. This beguiling recital of music by (mainly) American composers, from Earl Wild’s jazz-rag reinvention of Gershwin’s Summertime and I Got Rhythm to Aaron Copland’s super-energetic The Cat and the Mouse, shows the young British pianist’s multifaceted musical personality.
Continue reading...
Sat Jul 31 11:00:27 GMT 2021