Hand of Kalliach - Corryvreckan

Angry Metal Guy 70

I loathe the unspoken limitations of genre qualifiers. I am telling you right now that I’m presenting you with a specimen of melodic death/folk metal. As you read that phrase, your brain probably immediately jumped to Ensiferum. I can’t say I blame you, as Ensiferum was one of the first and arguably the best at hybridizing melodeath and folk music. But that same presumption might lead your expectations towards Hand of Kalliach astray. A Scottish husband and wife duo, Hand of Kalliach is self-described as melodic death metal that is interwoven with Celtic and Gaelic folk music and has been making wholly distinct music defying implied genre confines since 2020. Their yet-brief existence has already spawned an independent EP and LP, and now a sophomore full-length under the Prosthetic Records banner. Swift underground successes and unique sonic signifiers are all well and good, but when it comes to Corryvreckan, does innovation translate to a worthwhile listen?

To some of those expecting more traditional melodeath thrills, the answer may well be “no.” Yet as someone who traditionally prefers melodeath when it sticks to the hits, my answer is nonetheless a resounding “fuck yes.” Hand of Kalliach plays what I can best describe as atmospheric melodic death metal—hammer-on licks dance with crunchy, utilitarian death metal riffs amidst backdrops of ethereal vocals, to borderline hypnotic effect. If I allow myself a crumb of reductiveness, this approach sounds like a hybrid of Amon Amarth’s instrumentation and Sojourner’s spellbinding, Summoning-adjacent aesthetic. Hand of Kalliach nailed this approach with 2021’s Samhainn, and Corryvreckan enshrines the formula as well as any sophomore record ever has. Its writing feels tighter, song-to-song quality is more consistent, and in general, it gives me exactly what I wanted coming off of the preceding Samhainn: more.

Corryvreckan by Hand of Kalliach

While Corryvreckan provides exactly what I hoped, I can’t deny its potential for further refinement. This record may excel through consistency, but in retrospect, Samhainn had brighter highlights. That record’s best songs (“Beneath Starlit Waters” and “Each Uisge”) remain Hand of Kalliach’s most ambitious; Corryvreckan’s “Three Seas” and “Of Twilight and the Pyre” aim for similarly lofty heights, but take a bit too long getting to the point. Corryvreckan’s strengths, then, lie in its short-form material. “Deathless” and “The Cauldron” are masterfully condensed attacks at three minutes apiece, with the former’s knuckle-dragging, fighting game-ready riffs making it my favorite cut of the record. If those superficial thrills were spliced with Samhainn’s towering epics, Corryvreckan could have been the superior record. As-is, I find the two records on equal footing, with differing areas of specialization.

Much of what makes Hand of Kalliach so compelling lies in the contrasting vocal talents of Sophie and John Fraser. The former’s airy, Celtic folk-derived melodies imbue the proceedings with a downright mystical quality, while the latter’s full-throated death metal roars add a significant edge to the already substantial core execution. Together, they make one of the best “beauty and beast” vocal duos I’ve heard. While the vocals are typically lauded as one of Hand of Kalliach’s primary strengths, their engineering jobs are more divisive. Though sorely lacking in dynamism, I kinda love the way this record sounds. Its melodies feel grounded in landscapes and myth, and yet the drums and guitars feel unapologetically synthetic, with the latter’s blunt, sawing tones giving the record a nearly industrial metal vibe. This dichotomy of nature and electricity adds yet another intriguing wrinkle to an already fascinating soundscape.

Bands like Hand of Kalliach are vital to the metal ecosystem, those acts that take a somewhat avant-garde approach in style and songcraft while simultaneously delivering traditional immediacy and pure aggression. I have minor nitpicks with their songwriting—primarily, I wish they’d learn how to end songs in ways that don’t involve an abrupt cutoff—but I remain content, yet ever-curious about how the Frasers’ singular project will evolve going forward. Since I first heard Samhainn, I’ve believed that Hand of Kalliach has a masterpiece tucked away within their craft that will inevitably be unlocked by time and resilience. Corryvreckan may not be revelatory, but it is still a vital step in Hand of Kalliach’s creative journey and solidifies them as one of the most exciting metal bands working today.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Prosthetic Records | Bandcamp
Websites: handofkalliach.bandcamp.com | facebook.com/handofkalliach | twitter.com/HKalliach
Releases Worldwide: February 23rd, 2024

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