Octoploid - Beyond the Aeons

Angry Metal Guy

Let’s play a little game, shall we? If I put a gun to your head, and it’s a big deadly gun, what genre would you guess Finland’s Octoploid play based on the album artwork alone? Yes, I know the genre tags are right under the title of this article. I assume nobody reads those. Anyway, my first assumption viewing the artwork was stoner sludge. I couldn’t have been farther off, and that excited me beyond reason. I had to check it out. Pronto. Immediately after smashing the play button on their debut record Beyond the Aeons, I reveled in absolute joy to discover the deceptive artwork was as much a red herring as I had hoped!

Featuring members of Amorphis, Barren Earth, Mannhai, and Death Mex, Octoploid flex a wide array of music muscles that I don’t normally expect to work together. Progressive melodic death metal at its core, Beyond the Aeons evokes notes of Vulture Industries, Amorphis, Kull, Amon Amarth, Blind the Huntsmen, and In Mourning without outright mimicking any of their respective sounds. Additional, subtle threads of surf rock, pirate metal, and psychedelia brighten the record with whimsical vibrancy as well. In total, Beyond the Aeons feels like an eldritch adventure with all of the fun and none of the horror. Striking an assortment of moods ranging from righteous adventurism (“Human Amoral”) to pensive introspection (“Concealed Serenity”) and everything in between (“The Hollowed Flame”), Octoploid’s debut plays like a concept album, brimming with songwriting dynamics and intriguing twists.

Everything successful about Beyond the Aeons lies in its thoughtful and unexpected details. Opener “The Dawns in Nothingness” takes notes from Vulture Industries’ lead guitar melodies and transmogrifies them into a melodic death metal context, while dramatic organs and Gregorian chants deftly shift the mood of the song in the second half to something darker and more mysterious. Surf rock aesthetics, combined with Kull’s and Amon Amarth’s adventurous spirit, fantastic leads and solos, 80s synthwork, a delightful “la la la” introduction, and a light hit of psychedelia, merge in album standout “Human Amoral.” Delightfully twangy lead guitars and just the right amount of progressive oddities and killer riff passages tie each and every idea together wonderfully here. Simply put, it’s one of the most fun melodic death metal jams of the year. Leaning even harder into progressive metal territory and exploring a meditative side to Octoploid’s sound, “The Hallowed Flame” represents a fascinating combination of Blind the Huntsmen’s intelligent construction, Eternal Storm‘s emotional drama, and Vulture Industries’ sultry grooves. Thankfully, I don’t leave this experience despondent, thanks to closing hit “A Dusk of Vex.” Its high-energy swagger ends the record with a sort of exuberance that motivates me to hit that replay button right away, just so I can experience the whole journey again knowing I’ll get to jig with “Dusk in Vex” one more time on my way out.

Everything unsuccessful about Beyond the Aeons lies in missed opportunities. The most obvious example of this drawback, interlude “Beyond the Aeons” could’ve been a gorgeous psychedelic palette cleanser between Beyond the Aeon’s two acts. Alas, it merely jams for a brief minute before moving on. “Concealed Serenity,” coming in near the end of the runtime, lacks a compelling musical backbone to carry its somber weight. It could have been a beautiful way to further develop the smooth transition into more mournful territory introduced by “The Hallowed Flame,” but sullies the opportunity with lackluster riffs and a weak chorus. Musically, “Coast of the Drowned Sailors” and “Shattered Wings” constitute excellent pieces of whimsical death metal with righteous guitar shreddery and killer grooves, but the vocals in these tracks don’t quite clear the same high bar. Competent and well-fitting though he is, Octoploid’s vocalist had an opportunity to take more or greater risks for an even bigger payoff in these numbers. He just didn’t take them. Lastly, Beyond the Aeons is loud. Well-mixed, but loud. I would’ve enjoyed the record even more if the engineers traded in a bit of compression for an airier soundstage that allowed its multitudinous layers to breathe with even greater vitality.

Despite my critiques, I am unreasonably excited by Octoploid’s debut. It represents a side of the melodic and progressive death metal scenes that I don’t hear often, and I want so much more. Beyond the Aeon is professional, whimsical, immense fun, and dynamic to boot. That’s a rare combination. If you’re looking for something familiar, but different, Beyond the Aeons is the album for you!

Rating: Good!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Reigning Phoenix Music
Website: facebook.com/octoploidmusic
Releases Worldwide: July 5th, 2024

The post Octoploid – Beyond the Aeons Review appeared first on Angry Metal Guy.