Avernus - Grievances

Angry Metal Guy 60

The last time Avernus released a full-length album, the year was 1997, which means the release of Grievances represents the longest delay between a debut and sophomore album I’m aware of. Twenty-seven years is a long time for fans to wait, but you have to admire the dedication! These U.S.-based doom-slingers experimented with death and doom metal back in ye olde 1990s before life and limbo got in the way. The intervening years are a long time to hone a sound, so there was no telling what to expect with Grievances—except one look at that cover should tell you we’re in for some serious doom metal. With only that to go on, I was eager to see how nearly three decades make a sophomore album.

Straightaway it’s clear that the years have been kind to Avernus, as Grievances sounds excellent. The guitars (Erik Kikke, Rick McCoy, and James Genez)¹ have a great tone to them, with just the right amount of distortion to sound both heavy and clear. McCoy’s growls evoke Swallow the Sun, and even the drumming (Rick Yifrach) sounds great, with enough punch to adapt to the many shifting paces and moods adorning Grievances. Rounding out the Avernus sound, synths from Genez made subtle appearances to add layers to most tracks, sometimes acting as a lead (“Exitus”) but generally supporting the many guitars acting as the heroes. Add to this an excellent mix that emphasizes each contributing player, and we’re off to a great start within seconds of pressing play.

Grievances by Avernus

Grievances is primarily a doom metal album. And after 27 years, Avernus seems to have shed most of their death metal influence, except perhaps in the pacing of the music. “Nemesis” is a quintessentially modern doom song, opening with gorgeous arpeggios and subtle keys before transitioning into a melancholic theme that persists throughout the nine-minute song. This main idea allows the guitars to shine and gives the song a hopeful feel to contrast against its opening woe. Similarly, “Return to Dust” is a powerful track, with a memorable chorus and a comforting theme. These songs remind me a bit of My Dying Bride in the guitar work and prevailing sadness that hangs over Grievances. There’s a gothic influence in the compositions, a general preference for long songs, and an energy that keeps you engaged across the full runtime. It’s a strong sound, and Avernus performs it well.

The main drawback for Grievances is its length, and, sadly, the length of nearly every song on the album. “Nemesis,” “The Burning Down,” and “Quietus” all feature too-long interludes that feel mostly like filler, and few of the album’s eight-or-nine-minute songs quite justify their length. There are also several interlude tracks on the album that give the impression of recycled song ideas rather than thematic, connective tissue making things more coherent. “Open Arms” and “Plateau” are two such tracks; they’re genuinely beautiful, but at three minutes apiece awkwardly tread the line between proper song and album break. In the back half of Grievances are “Utter Uphoria,” a spacey track with touches of electronica that feel very out-of-place, and “Abandoned,” a five-minute song in which almost nothing happens. When you put all of this together, it’s hard not to regard Grievances as an album with quite a bit of bloat. Even though none of the songs are bad, I can easily picture an alternate album that is fifteen or even twenty minutes shorter, and I think I would have much preferred that version.

The good news is that there isn’t any part of Grievances that isn’t enjoyable; perhaps the lengthy break between albums meant that Avernus had a lot of ideas going into this and the vast majority of them are good. If you’re just a little less picky than me about album flow, you’ll probably enjoy Grievances significantly more than I do. Every song, band member, and idea sounds great—the ideas just tend to stay a little overlong. Still, there are much worse things than too much of a good thing and the world of doom metal will be better off to have Avernus back in it. I am certainly looking forward to seeing where they take this next.

Rating: 3.0/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: M-Theory Audio
Websites: avernus.bandcamp.com | facebook.com/avernusdoommetal
Releases Worldwide: September 20th, 2024

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