Angry Metal Guy
50
Bands who seek to echo heavy metal’s past walk a fine line between regressive repetition and studied homage. Consequently, in a world where source material for these sounds spans the course of decades, the tag indicating this new wave of traditional heavy metal remains wide in scope. Motorcycles? Loin cloths? Swords and dragons? What shall the recipe of hairy-chested riffs and wailing mic blowouts spell? In examining Oregon-based Sleepless’ sophomore outing, Through Endless Black, it’s at least clear that two things are true: the power of riffs indeed compels this collection to rock, and an urgent vocal identity fills its chest proudly. But the question still looms around what brand of traditional showmanship Sleepless displays.
Whether Sleepless knows it or not, their sound on Through Endless Black plays close to the weird power-leaning doom of the ’90s Swedish underground in its manner of rockin’ trad riffs that swing to crawling, soaring choruses. We talk about a lot of things around the water cooler at Casa AMG, and though many of us don’t see eye-to-eye on the world at large, at least the great Steel and I can agree on one thing: too many bands ignore the potential to copy peak Tad Morose. Determined to set my heart aflutter, melodic leads that drop into heavyweight drags scattered throughout Through Endless Black recalls both the slower cuts of Tad Morose or the more traditional gallop of the similar-minded Memory Garden. Main mind Kevin Hahn, holding chops both in the grip of a traditional axe and tastefully reverbed mic, has spent a lot of time both on the cover band circuit and at the engineer’s seat, so I’m not sure that exactly his aim with Sleepless. But different paths can always lead to similar results.
Through Endless Black by Sleepless
Except not every track across Through Endless Black reeks of that same stench of doomy power, with Hahn’s vocal prowess serving equally as blight and boon. Simple and fluffy rock riffs, the kind that present themselves in the AOR-assisted jams of cruise groove like Fifth Angel, already pull attention away from muscular crushes at the least effective moments (“Cult of the Narcissist,” “Lessons in Tongues”). And in these same gentler excursions, Hahn’s clear and breathy tenor aids further in distancing his performance from the subtle grit and chesty bellow that he displays in horn-raising, fist-pumping amp-shakers (“Consumed by Vengeance,” “Dreams of Mortal Ruin”). Hahn has amazing range, and an incredible ability to lay down harmonized solos in a big Scorpions way, but it really does feel like he’s packing too many contrasting ideas into Sleepless.
However, many of Sleepless’ ’80s and ’90s traditional genre worship excursions come across in a more flattering manner. The best cuts across Through Endless Black lead with refrains drenched in guitar drama, dark synth play, and full volume chord swells, all resolving in well-framed choruses (“Call to the Void,” “Where Fear Lives,” “Dreams…”). And slipping well into the sleaze and heavy metal fervor of the grand and gruff W.A.S.P., Hahn loads an extra venom and swagger into his barking verse work and sliding wails (“Exist Another Day,” “Transcending the Obsidian Throne”), even landing in a ripe pseudo-ballad cheese with the opening chime and croon of “Lost Star.” The supporting rhythm tones aren’t quite what one would expect in this lane, relying less on spacious chords and reverb, and more on compressed guitar crackle and a low-end lurch, but that at least helps pull Sleepless away from pure homage and into foraging a sound in reverence.
Despite the success that Sleepless finds throughout Through Endless Black, a certain lack of wildness—of rugged bravado—holds it back from turning its glory into grandiosity. Steeped in studied sounds, Sleepless never feels wanting in execution. Though some of that same polish leads Through Endless Black to engorge with a textbook battlefield vigor, that same educational approach does not lead to many surprises and allows the lesser sputters present to pull down the total experience. I do have high hopes for Sleepless though, as a sophomore cobbling of this quality shows, potential, promise, and perhaps a sword simply too deep in its sheath.
Rating: 2.5/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Metal Warrior Records
Websites: sleeplessmetal.bandcamp.com | facebook.com/sleepless
Releases Worldwide: October 31st, 2024
The post Sleepless – Through Endless Black Review appeared first on Angry Metal Guy.
Thu Nov 14 11:11:02 GMT 2024