Angry Metal Guy
Another day, another fresh debut by a slab of young hopefuls. Today’s offering comes by way of Indonesia in the form of trio Symphobia, dropping their first LP Hideously Traumatic after a sole self-titled demo the year before. At a concise two songs and sporting some charmingly ghoulish artwork, that demo was a vile little slab of promising violence, which leaned more into the modern slam trappings of Submerged than the usual brutal death proper Indonesia is known for. No member turnover and a short gap between releases imply a band with a musical vision and an eagerness to slot themselves into the next generation of woe-bringers; do they offer enough to get you back to therapy?
Symphobia have crafted a monument to brutal death of all varieties and walks of life. Trimming down the more overt slam clichés in the production of their demo (particularly the outlandish ping-pong snare) allows for a more matured take, walking a tightrope between solid deathly compositions and neanderthalic bludgeoning. Vocalist Jossi Bima does a dead ringer of an Angel Ochoa impression, but a talent for vocal phrasing (and vocal silence) means he actually adds to the percussive oomph of the riffs. (“Scattered”, “Convulsively”) Humam Aliy is a beast on the drums, working a limited set of ingredients into a well-concocted aural meal, with excellently placed sixteenth-note fills and masterfully selected double bass to give the illusion of dynamics and pacing even as the whole of the album never really lets up. The bass consistently makes itself felt with shreddage and twangy highlights, adding girth to an absolute smorgasbord of riffs.
Hideously Traumatic by SYMPHOBIA
Much like waves add texture to an otherwise flat and bland ocean, Hideously Truamatic offers a sense of the nuanced differences in brutal death strains of DNA to add personality to what threatens to be an overly homogenous listen. Do you like Misery Index? “Convulsively” has you covered. Do you think War of Attrition is the best Dying Fetus album? “Heinous” sports a riff worthy of a lost B-side from that era. The fingerprints of Pathology, Suffocation, Internal Bleeding, modern Pyrexia, and Cephalotripsy permeate the album, with the glue from highlight to highlight running through the eternal assault of …And Time Begins era Decrepit Birth. While Symphobia begin in familiar form, each time you think you’ve heard the best the album has to offer, the next song manages to come out swinging with a steel chair to top whatever offensive groove or thunderous breakdown came before it. Dodik Bhre offers up one riff-craft lesson after another, with a surprising emphasis on the occasional trebly runs instead of all-bass-all-bottom-end tropes. Songs like “Scattered” and “Abominable” stretch beyond the typical haze of blast beats and powerchord abuse, touching on the most straightforward moments of Defeated Sanity while lurching into a Disgorge-ian sense of mercilessness.
The only negative on such a balls-out assault of this caliber is a common one: the shadow of ones peers. Symphobia have grasped the ingredients of what makes all these other bands great, and distilled their essence into a blender of an album where the listener is tossed in to get slapped in the face with one meaty chunk after another. However, Hideously Traumatic comes across as a highlight reel of various stylings without forming into a cohesive identity for the band themselves. This is a love letter to the foulest and most pit-inducing of aural violence, and the letter is written in excellent handwriting and high-quality paper. I believe the best is yet to come, however, and if they can master the art of wielding their influences into a distinct final offering rather than being a mega-high grade tribute band, they will be ready to drop a slab of carnage to stand alongside the Brodiquins and Devourments of the world.
Just when I thought I was done with brutal death for a bit, Symphobia came out of nowhere with hammers and chainsaws to take my already abused ears to even more dire straits. Indonesia can be proud of its newest offspring, which continues to solidify the country’s reputation for a flourishing scene. That Hideously Traumatic reminds greatly of genre giants is hardly the worst flaw in the world. For now, seekers of euphoria-inducing savagery should find a high worthy of their time, with some truly traumatic moments indeed.
Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Comatose Music
Websites: Official Facebook | Album Bandcamp
Releases Worldwide: July 11th, 2025
The post Symphobia – Hideously Traumatic Review appeared first on Angry Metal Guy.
Tue Jul 22 16:28:10 GMT 2025