Imperialist - Prime

Angry Metal Guy

Crafting a great or excellent record is a remarkable feat. But it’s another challenge entirely to consistently churn out banger after banger. This kind of consistency is the not-so-secret sauce that can launch bands into the upper echelons. While examples are numerous, California’s Imperialist is poised to demonstrate their potential for genuine longevity with third LP, Prime. Having already broken the Score Safety Counter with 2018’s Cipher, the sci-fi black metal quartet returned to impress our Elitist on staff again in 2021 with follow-up, Zenith. Now, four years later and with an EP in between, Imperialist sets its crosshairs on Prime to deliver their third quality record in a row.

Longtime followers of Imperialist’s cosmic flight path will notice that the foursome has stayed true to its blackened foundation. Sergio Soto and Bryant Quinones’ trem-picked guitars and stylish shredding—á la Dissection and Immortal—fuse with Rod Quinones’ explosive blast beats and Soto’s callous snarls to power their apocalyptic and space-faring narrative. However, on Prime, Imperialist updates their design, discarding the “loose screws” of previous albums for a meaner, more streamlined edge. The quartet’s songwriting has become more refined, featuring fluid transitions, engaging leads and solos, and strong, memorable riffs that anchor their high-energy sound. Everything about Prime is bigger, better, and more powerful than before, from the intense and technical performances to Eliran Kantor’s stunning cover art and Dan “The Man” Swanö’s excellent mix. The result is a full-force attack that hits with all its might, making Prime Imperialist’s most impressive effort to date.

Prime by IMPERIALIST

Through years of dedication, Imperialist has weaponized its proven blueprint, transforming into a razor-sharp cohesive assault. Soto and Quinones’ guitars lead the charge, delivering a terrestrial invasion of light-speed tremolo runs and hooky, head-banging riffs packed full of cataclysmic energy perfectly suited for Prime’s apocalyptic premise. Imperialist prominently evolved its sound by adding melodic leads and solos that are both tasteful and technical, prioritizing emotion and phrase over showmanship to give Prime’s nine tracks greater punch and charisma. Their solos—with harmonic fluency (“A Ghost Abandoned,” “Beneath the Sands of Titan”), wah accents (“Starstorm,” “A Ghost Abandoned”), and expressive feel (“Final Hours,” “Nocturnal Eon”)—balance technicality with musical intuition while also contributing to Imperialist’s saga. Serving as the main force behind Prime’s storytelling, Soto’s vocal performance immerses the listener into the album’s vast narrative, as his tone, delivery and lyrical content perfectly marry Prime’s musical aggression with their thematic vision. His delivery has a great thrashy snarl that is flat-out mean, sounding like a mix between David DiSanto (Vektor) and Abbath (Immortal) while still retaining sharp and clear enunciation.

Prime hits hard from the start with “Starstorm” and sustains that high-energy approach for most of its forty-five-minute runtime. Bolstering Prime’s sound, Swanö’s mix forgoes the sterile feel of past albums for a lively and organic one, allowing each instrument room to breathe while pushing Soto’s vocals to the forefront. Interlude, “Heavens Sunder,” fits into the album’s arc perfectly and makes the return to Prime’s aggressive final half feel even heavier. The decision to include an interlude at the album’s midpoint was a smart move, especially given that a lack of song variation has historically been Imperialist’s Achilles’ heel. And yet, the back half of Prime still falters as its momentum wanes. “Union of the Swarm” and “Nocturnal Eon” are solid but feel less compelling, lacking the memorability of the album’s stronger tracks. Prime could have improved its staying power with greater differentiation between these songs and the album’s other material or by trimming one altogether. Fortunately, the triumphant “A Ghost Abandoned” breaks this pattern. With its sauntering rhythm, it provides a welcome change of pace before its satisfying, drifting outro delivers a sense of a completed journey, from initial onslaught to a final, fading resolution.

While it just misses greatness, Prime is without a doubt Imperialist’s most cohesive and powerful album to date. The group has successfully addressed nearly all the lingering issues from their past work while adding new depth to their sound. With Prime, these Californians are operating near the apex of their craft, having now released three consecutive quality black metal albums that cement them as one of the genre’s premier acts. No one knows where Imperialist go from here, but Prime is a journey that deserves your attention.

Rating: Very Good!
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Transcending Obscurity
Websites: imperialistus.bandcamp.com/music | imperialistofficial.com | facebook.com/Imperialistofficial
Releases Worldwide: September 5th, 2025

The post Imperialist – Prime Review appeared first on Angry Metal Guy.