Rempis/Adasiewicz/Corsano - Dial Up

 

By Brian Earley

Dial Up, Aerophonic Records’s release from December 26, 2025, encounters listeners with ambition and possibility. What begins with two unassuming vibe hits on the album’s opener “Cutups” from Jason Adasiewicz soon forms the melodic and ensemble motif for the outing. Drummer Chris Corsano responds in kind with two unassuming drum hits of his own. Dave Rempis waits, and when he sounds his first notes they arrive in a different key than the vibraphonist established at the work’s opening. The entire date, or rather dates (the album is culled from two live recordings in January and February 2025), features this collaboration of spontaneous negotiation.

An entirely improvised set of pieces, the work finds itself at home with most Aerophonic recordings of Rempis. While this album displays group spontaneity and an increasing build to a musical nexus of volume and intensity, this work is remarkable for its push-pull series of emotional exchanges. When I try to remember what January 2025 felt like, I recall tremendous uncertainty. For me, this record is a document of feeling: it holds for posterity what it felt like to be alive in the United States as the country slid into transition.

At the center of the album lies its longest work, “One Dollar Cheaper.” Adasiewicz opens calmly, playing a soft but insistent pattern of open voicings. Rempis enters on tenor, and soon is hollering, his saxophone reaching towards some yet unheard realm where all sound bursts into shattered infinity. But the horn soon flutters notes and exits, leaving Adasiewicz and Corsano to play a duet of traditional Eastern world Dixieland swing, as though such a thing existed. Mystery is here, but so is humor. When Dave returns, he forwards this joy and soon is playing rising sequences of five notes that sound like the voice of hope itself. However, within moments Jason’s vibes begin to fall in single notes and Corsano’s drums gather a slow-rolling thunder. Around the 8:30 mark Rempis is screaming over and over again, thrusting at the barriers of sonic dynamics. It is the sound of pain. The music wobbles and rights itself until it seems to stop entirely, but Corsano enters with washes of cymbals, Adasiewicz plays one and three note patterns, and Rempis rises from the ashes to swirl in harmonious unity with the others. This time there is unity only in lamentation. All is not well in the world. The song enters its darkest night of grief before Rempis continues walking, walking until new sonic landscapes suggest at least other possibilities, if not the promise of new life.

Of course Rempis and company are not actually making any of these emotions; they are producing only sound. But how wonderful it is to live in a universe where vibrations on the air produce and mimic what is central to feeling alive. It is exactly what we needed in early 2025, and it is a balm for the rising 2026.

The album is available artist direct at https://www.aerophonicrecords.com/dialup.