Kaze means “wind” in Japanese, a hint to the unusual trumpet front-line that also functions as an oblique reference to one of the band’s typical traits, the tendency to patiently build sparse soundscapes that suddenly explode in hammering rhythms and surging anthems, wiping out musical expectations like a sudden wind blast. Throughout the five-part suite that composes
June, there’s the same sense of organic development, each piece flowing naturally into the next. This time, though, the discourse is mostly kept on timbre and color, the music evolving from barely audible sounds to more concrete manifestations through intricate textural tapestries and a tight counterpoint of brief, incisive statements. Fujii and Agnel work both on the keys and inside the piano, expanding on the percussive backdrop created by Orins and Lasserre, all four avoiding more concrete harmonic or rhythmic developments.
There’s also a good dose of humor on display, thanks to the unusual timbres created by Pruvost and the irreverent theatrics of Tamura – both absolute masters of extended techniques – who use a variety of mutes and different objects, from small percussions to children toys, to enrich the ensemble’s palette.
The contrast between these elements and the rigorous abstractness of the music has a refreshing effect, adding a slightly surreal atmosphere while maintaining an uncompromising musical integrity, confirming the original Kaze as one of today’s best improvising bands, and this new expansion definitely worthy of further developments as a working group.
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Natsuki Tamura, Christian Pruvost – trumpet
Satoko Fujii, Sophie Agnel – piano
Peter Orins, Didier Lasserre – drums
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Mon Apr 10 04:00:00 GMT 2017